In detail Sound generation begins in the Timbre section, where you can select from a range of waveforms or import and resynthesize single-cycle waves from audio files. Image-Line harmless Most of the built-in waveforms are sawtooth variants – this makes sense, because a pure saw wave theoretically contains all harmonics, both even and odd. Thus, you can create many other wave shapes by removing harmonics. There are a number of options for shaping the sound, all of which are fairly novel. There’s a harmonic equaliser, the bands of which follow the pitch being played, so that the first slider’s band is always centred on the first harmonic and so on. There’s also a sub-harmonic generator, for adding weight to sounds, and a Harmonic Mask section, which enables you to reshape sounds by subduing harmonics, or subtracting them entirely.Ī Pluck feature adds a fast-acting low-pass filter envelope to the timbre. This can be assigned so that either the Harmonic Mask or Harmonic EQ dictates the decay rates of their particular harmonics. The filter section works like that of a standard subtractive synth, but offers considerable flexibility in terms of filter shapes.
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